Aren and Anders remember the great director David Lynch, a sui generis figure in American film and art.
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The return of Wallace and Gromit manages to stay true to the charm that makes the series so beloved, while still offering a gentle critique of our technophilic society.
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Anders looks back at Christopher Nolan’s Interstellar on the film’s 10th Anniversary, noting its masterful mix of science and sentiment.
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Take Out, Sean Baker’s debut feature co-directed by Shih-Ching Tso, reveals a strong authorial voice and anticipates the focus of many of Baker’s later features.
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Shyamalan’s 2004 film has its merits, but revisiting it reveals the muddled philosophy that drives it and robs it of many key thrills.
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Anders and Anton discuss their appreciation of the third season of The Bear and the mixed critical reception to the latest season of the hit show.
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The brothers offer a remembrance of the great Canadian actor who passed away on June 20, 2024.
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George Miller returns to the Wasteland of post-apocalyptic Australia with Furiosa: A Mad Max Saga, a direct prequel and satisfying expansion of the world of Mad Max: Fury Road.
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Anton and Anders discuss this documentary featured at Hot Docs 2024 on how the search for dinosaur bones links colonialism, the global bone trade, and scientific discovery.
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Albert Brooks’s film is an amusing, if ultimately unsatisfying, comedy about what happens after death.
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60 years after John F. Kennedy’s assassination, Oliver Stone’s JFK captures how essential conspiracy is to modern life,
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Anders ranks the films of the Final Destination series, one of the first horror franchises of the twenty-first century.
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The third Pirates film threatens to spin out of control, but such an eccentric vision of a dark and whimsical fantasy world has rarely been as vividly imagined on screen.
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Anders ranks the films in the Mission: Impossible series and offers his thoughts on what each film brings to the series.
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Laura Gabbert’s documentary with food writer Ruth Reichl exposes the precarious state of North America’s food supply.
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Daniel Goldhaber’s adaptation of the nonfiction book, How to Blow Up a Pipeline, works well as both a taut procedural drama and a work of moral-political questioning.
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Ant-Man and the Wasp: Quantumania may be a departure for the series of films about the shrinking superheroes, but it embraces the all-ages pulp origins of the comics.
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Noah Baumbach’s adaptation of the landmark postmodern novel by Don DeLillo fails to deliver despite the enduring relevance of the novel’s subjects and themes.
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In his third deep sea documentary, Aliens of the Deep, James Cameron explores the amazing life forms that thrive in some of Earth’s most hostile environments and paves the way for the next phase of his career.
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True Lies is an outlier in James Cameron’s filmography, but this screwball action-comedy delivers on the action and domestic drama.
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