Wicked is doomed by the decision to inflate Act 1 into an entire 160-minute film.
Read MoreClint Eastwood’s courtroom drama is a classical morality play in the vein of 12 Angry Men or Anatomy of a Murder.
Read MoreDavid Tedeschi’s new Beatles documentary fails to find anything new to say about the 20th century’s most popular band.
Read MoreEdward Berger’s Conclave is a lot of fun. Just don’t confuse it for more than a potboiler.
Read MoreTake Out, Sean Baker’s debut feature co-directed by Shih-Ching Tso, reveals a strong authorial voice and anticipates the focus of many of Baker’s later features.
Read MoreYet another meta-legacy sequel, Gladiator II also delivers some of the most rousing action spectacle of recent years.
Read MoreShort reviews for the 2024 Toronto Reel Asian Toronto International Film Festival.
Read MoreKristen Stewart and Katy O’Brian are great in Rose Glass’s erotic neo-noir, but the grab bag of genre elements leaves something to be desired.
Read MoreJack Smight’s 1969 adaptation of Ray Bradbury’s short story collection is not an ideal adaptation, but does capture some of surreal power of Bradbury’s work.
Read MoreOsgood Perkins’ Longlegs is an inconsistent mishmash of The Silence of the Lambs and Cure.
Read MoreFrank Darabont’s Stephen King horror adaptation plays like a dry run for The Walking Dead.
Read MoreThis sequel to the surprise Netflix horror hit, The Platform, loses the elegance of its predecessor.
Read MoreShyamalan’s 2004 film has its merits, but revisiting it reveals the muddled philosophy that drives it and robs it of many key thrills.
Read MoreThe Faculty is Invasion of the Body Snatchers for the MTV generation.
Read MoreFrancis Ford Coppola's strange political fable is an absurd, admirable moonshot of a film.
Read MoreDavid Ayers' The Beekeeper is one of the most gloriously dumb movies of recent years.
Read MorePaul Schrader's Oh, Canada is for true Schrader heads only.
Read MoreMalcolm Washington's The Piano Lesson relies on the strength of its source material to compensate for some of its ambitious, if uneven, filmmaking choices.
Read MoreHong Sang-soo's latest minimalist work is a charming, emotional work that investigates art and romance.
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