Noah Baumbach’s adaptation of the landmark postmodern novel by Don DeLillo fails to deliver despite the enduring relevance of the novel’s subjects and themes.
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Warren Beatty’s political satire, Bulworth, finds new relevance in a post-Trump world.
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In its best moments, No Sudden Move recalls the easygoing crime plotting of Elmore Leonard.
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Miles Ahead is not as essential as Bill Pohlad’s Brian Wilson biopic Love & Mercy from last year, but it’s a fair order better and more entertaining than the usual portrait of a brilliant and troubled musician.
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