A feeble monster movie and a flaccid horror comedy.
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Dario Argento’s horror-thriller Deep Red is a bridge between modern slasher cinema and the nightmares of folklore.
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Cronenberg’s adaptation of Stephen King’s The Dead Zone is one of his more mainstream efforts, but still an enjoyable, melodrama-thriller.
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The Brood is Cronenberg’s first masterpiece, a dark and personal tale of family strife and the manifestation of fear and aggression.
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A Quiet Place is a competent sci-fi horror film with a novel premise.
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Rabid shows Cronenberg refining and developing his unique style of body-horror in this cult-classic film about a vampiric-epidemic in Montreal.
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Anders discovers and digs into William Peter Blatty's exploration of faith, despair, and madness.
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Train to Busan thrills with confined railcar suspense, large-scale disaster action, and effective social commentary.
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Perhaps the pre-eminent haunted house movie of all-time.
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This defence of found-footage horror argues that the frequently-criticized subgenre is both formally daring and psychologically revealing.
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A thematically satisfying new chapter of Ridley Scott’s Alien series.
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A discussion of how Ridley Scott's 1979 film uses science fiction to merge two kinds of horror to unsettle and disturb.
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Richly atmospheric ghost story.
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Aren offers up a rereading of Guillermo del Toro's gothic romance and horror film.
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The gore effects are astounding.
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For its look and feel, Sleepy Hollow is one of Burton's best.
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The original slasher film, but its impact has dulled over the years.
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Chilling in its mundanity.
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Slow-burn found footage horror with no payoff.
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Revitalizes the conventions of witch-lore for chilling effect.
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