In the summer of The Matrix David Cronenberg made another virtual reality film that continued his explorations of bodies and technology, challenging our notions of the flesh and machine.
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Kubrick’s first feature is an intriguing yet flawed allegorical war picture.
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The Ballad of Buster Scruggs is bleak and darkly funny Western anthology from the Coen Brothers, but doesn’t quite add up to more than the sum of its parts.
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Drab, silly, and oh so literal, Luca Guadagnino’s remake of the Dario Argento horror film makes all the wrong choices.
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An explosive work that interrogates sex in ways that cinema rarely manages and captures the profound atomization of our modern world.
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David Cronenberg’s most-forgotten film is a dramatic powerhouse and an insightful deconstruction of misogyny and Orientalist notions of China.
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Jacques Audiard’s film is a worthwhile adaptation of Patrick deWitt’s bestselling novel, even if its tone is occasionally off-putting.
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A feeble monster movie and a flaccid horror comedy.
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Dario Argento’s horror-thriller Deep Red is a bridge between modern slasher cinema and the nightmares of folklore.
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A remarkable examination of poaching in Northern Kenya that works as both a perceptive documentary and an exciting thriller.
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A useful record of the 2016 Brexit vote, but a repetitive piece of filmmaking.
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David Cronenberg’s adaptation of William S. Burroughs’ most-famous novel is a perceptive look at the artist, but also a repulsive and disorienting work.
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A worthwhile debut from the filmmaker behind Blue Ruin and Green Room.
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Dead Ringers is a profound work of alienation and a beguiling tragedy.
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Spike Lee’s newest joint isn’t just a great entertainment, but a self-aware exploration of double consciousness and white supremacy in America. One of the year’s best films
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Paul W.S. Anderson’s first film in the Resident Evil series remains another shoddy video game adaptation.
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Anton reviews the great Errol Morris’s insightful documentary interviewing Steve Bannon.
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The Fly is a perfect fusion of Cronenberg’s esoteric body horror and a more conventional romantic tragedy.
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Kore-eda’s Palme d’Or winner is a moving and perceptive drama that further examines themes laid out in Nobody Knows and Like Father, Like Son.
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Claire Denis’ confrontational science-fiction film has provocative imagery and an excellent Robert Pattinson performance, but it lacks cohesion and internal logic.
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