Worthwhile acts of preservation.
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A lacklustre heist picture.
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The year’s best thriller and ecstasy for anyone with a penchant for bloody cinema.
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The Successor is a beautiful film with thematic meat on its bones.
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Future Baby will teach you a thing-or-two about IVF while watching it, but you’ll end up wishing it dug further into the complicated details involved in its subject matter.
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As loose and genial as great films get.
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An ambitious film that lives in the big, mythic moments.
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Miles Ahead is not as essential as Bill Pohlad’s Brian Wilson biopic Love & Mercy from last year, but it’s a fair order better and more entertaining than the usual portrait of a brilliant and troubled musician.
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Like Certified Copy, Like Someone in Love shows that Kiarostami’s cinematic powers are not limited to one language or culture.
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An essential work for anyone with an interest in Iranian filmmaking or art cinema in general.
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Even diehard country music lovers and Tom Hiddleston fans will be severely disappointed.
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Exciting and pleasantly modest for a Hollywood pseudo-sequel.
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Beneath all the mockery lies a tribute to the movies.
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Spielberg's sturdy Cold War spy thriller.
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Everything about this movie adds up to nothing.
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Asif Kapadia's film rescues Winehouse's story from the realm of tabloid tragedy.
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Adam McKay surprises with this winning, comedic take on the 2008 financial crisis.
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Sono's rap musical is one-of-a-kind trash.
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Rickman and Thompson excel at Austen.
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A slight film, but it’ll play well to anyone with an interest in the finer details of Hollywood’s past.
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