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“You get what you deserve”: How Red Rooms (2023) Provides a Chilling Takedown of True Crime
Den of Thieves 2 is another entertaining riff on classic crime movies and a showcase for Gerard Butler’s relatable grubbiness.
The Mask just might be the sharpest illustration of Jim Carrey’s comedic craft.
Better than Part One, but Snyder’s universe still remains intriguing in parts yet never fully convincing.
Brady Corbet’s new American epic is ambitious, to be sure, but lacks dramatic rigour.
Aren shares his favourite films of the past year, including Dune: Part Two, Juror #2, and Nosferatu.
Aren and Anders remember the great director David Lynch, a sui generis figure in American film and art.
The Brothers share their favourite prestige films, blockbusters, arthouse movies, and documentaries from the past year.
Anders and Anton discuss their appreciation of the third season of The Bear and the mixed critical reception to the latest season of the hit show.
Anton and Anders discuss this documentary featured at Hot Docs 2024 on how the search for dinosaur bones links colonialism, the global bone trade, and scientific discovery.
The Brothers dig into Martin Scorsese’s Killers of the Flower Moon, interrogating its structure, length, and point of view.
Pascal Plante’s psychological thriller is one of the most disturbing movies of recent years.
Anders looks back at Christopher Nolan’s Interstellar on the film’s 10th Anniversary, noting its masterful mix of science and sentiment.
Russell Crowe’s General Maximus is one of the great movie heroes.
Anders and Anton discuss their appreciation of the third season of The Bear and the mixed critical reception to the latest season of the hit show.
John Adams is smart about politics and history but also has a careful eye for friendship and marriage.
Season 1 demonstrates that Rome deserves to be ranked among the highest achievements of the Golden Age of Television.